Monday, May 15, 2023

Afterlife (1984) | Review

This is a brief review of Afterlife, a Blake's 7 continuation novel by Tony Attwood. This review will include spoilers.

Afterlife is best analogised using the trolley problem. One track leads to a good story. The other leads to incoherent rubbish. Attwood pulled the lever, so the train sped down the “rubbish” track before promptly crashing and exploding, causing the station to be set on fire and the integrity of the railway as a whole being put into question. 

Yeah, the book's crap.

Highlights, or rather lowlights include a lack of plot; continuity ignored; things just happening for the sake of it; characters behaving out of character, including the one that Attwood himself created; Terminal being piloted like a spaceship; Orac leaving the plot almost as soon as it starts; Servalan being in the story for a grand total of five minutes and no actual conflict. 

This isn't Blake's 7 as much as it is Avon, Vila and Korrell's Jolly Jaunt Across Space Doing Nothing. Say what you will about Darrow's contentious trilogy, but this is frankly unforgivable and a massive waste of both your time and the paper it was printed on. I feel bad for the trees that had to be felled just so this could be published. 

You'll notice I said this review was brief; this is mainly due to the fact that thinking about Afterlife makes me irrationally angry and also gives me something of a headache - not only because of how utterly infuriating the trainwreck of a plot actually is, but also due to how stupidly complicated things get. Everyone has a secret agenda. Everyone hides information from everyone else. Everyone must purposefully remain silent (God forbid anybody actually has a conversation in this godforsaken book). Everyone argues. Etc. Etc. 

And don't get me started on the overexposure of computers. Because Attwood had Orac bugger off in the opening chapter, and because Scorpio couldn't be repaired (why not?), he invents three computers, each of which is about as interesting as stale bread. The only one with anything interesting about it is KAT, but that's only because the computer has the ability to identify wines. 

This book raises more questions than it answers. Namely:

  • Black and white holes are treated as portals. How does that work? Never explained. 

  • Avon's sister has been mind-controlling him since at least Series A. Why? Don't think about it!

  • After the events of Blake, Avon is apparently arrested and Vila escapes, only for Tarrant to wake up and discover everyone was gone. Are Dayna and Soolin still alive? Are they still on Gauda Prime? Did the Federation troops just leave him in the control room for a joke? Attwood never elaborates on that.

  • MIND is barely elaborated upon, although it implies that everything we've seen Avon do has been controlled, to some degree by MIND. Have we ever seen the real Avon? Is he capable of free thought? Rushy posited that this is Attwood's way of addressing plot holes regarding Avon. But if that's the case, then surely this only creates more. 

  • Attwood was meant to write a sequel, State Of MIND, that was meant to “wrap up” Blake's 7, so I can only assume that everything that goes unexplained here was meant to be answered in that book. But did it ever cross his mind that the sequel would never be written? Surely that realisation would have dawned on him at some point, right? Why would he just be content with making us question the integrity of the whole show? Did he have an agenda?  
The more you think about what actually happens in Afterlife, the more it starts to fall apart. The story has little structural or plot integrity, and the little it adds to the mythos of the show as a whole is confusing and completely undermines the character of Avon substantially. 

In brief: you're not missing out by not reading this. It's dreaful. 

Monday, January 2, 2023

Blake's 7 Writers | Ranked


This is a ranking of all the writers who contributed to Blake's 7. This is a television-only listing, so Big Finish writers, novelists and fanfiction aren't being counted. There's 13 in this rogue's gallery, so from worst to best, let's see who've we've got. 


13. Ben Steed
The Harvest Of Kairos, Moloch, Power

The Ben Steed trilogy is possibly the most obvious advertisement for sexism in human history, and it's for that reason that they're sickeningly unwatchable to me. Putting that aside, the man's episodes are the most vapid content-wise: they're dull, the little they bring to the table is inconsequential to the overall lore and there's little to actually enjoy. Unfunny humour, little understanding of the recurring characters and an abundance of misogyny makes these collectively win the award the worst television I've ever seen. 


12. Allan Prior
Horizon, Hostage, The Keeper, Volcano, Animals

Allan Prior's episodes are really just stories based around one core idea and tend to fill a gap between two other episodes. Nothing particularly memorable happens in them, save for some funny lines or maybe a nice action moment with our lead characters. His stories can pretty much be summed up as “the one where Blake has a weird relationship with his cousin” or “the one where Jenna has to bond with a creep”.


11. Rod Beacham
Assassin

Assassin is a nice episode, and shows that Rod Beacham is very good at writing the crew and nails their interaction styles. The only reason he's this far down is because I didn't really have all that much to say about his incidental characters. Maybe if he'd been allowed to write another script, I'd put him higher up the list. 


10. Trevor Hoyle
Ultraworld

If I was to include his novelisations, he'd easily be top 5. Easily. As it happens, though, his only TV credit didn't really capture my attention and felt like something from a sci fi show that aired 2 decades earlier. Doctor Who this is not. 


9. Simon Masters
Warlord

The funny thing about Warlord is that while I enjoy it, I can never remember what happens in it, forcing me to rewatch it a lot to try and remember the plot. That's replay value if ever I saw it. Well done, Simon.


8. Roger Parkes
Voice From The Past, Children Of Auron, Headhunter

Roger Parkes has the strangest variety of episodes I've ever seen. Voice From The Past is hilariously terrible, replete with strange characterisation, a nonsensical plot, the most hilarious conclusion and Travis II being a badass purely by being the only competent character in the story. Children Of Auron gives me mixed feelings, though the whole plague plot and Cally's twin were nice additions to her characterisation and got a great performance out of Jan Chappell. Headhunter is the comedic highlight of Series D, and “WHERRRRRE ISSSS ORRRRAAAAAAAC?!” is lives in my head rent-free. So, to recap: an episode that's so bad it's good, a serious outing that leaves me with cold feet and a silly episode right out of Doctor Who's season 17. Quite the back catalogue!


7. James Follett
Dawn Of The Gods, Stardrive

Follett is a 50/50 writer for me. I love Dawn Of The Gods, with all of its strange imagery and brilliant story. I think Stardrive is just okay. Makes sense that he's placed at the roughly halfway point of the list. 


6. Colin Davis
Gold

Gold is just fun, and for his only Blake's 7 script, Colin Davis does a damn fine job. It's just fun to watch, with a great plot and superb characterisation. There's a reason a lot of Series D fans like myself hold it in high regard. Massive shame he didn't do another episode. 


5. Bill Lyons
Games

Ah, Games. What a lovely episode. Everything about it is just great, with the Gambit computer being a highlight (shame it doesn't feature after this episode). The dialogue is witty, the characters get tons to do and everyone is on fine form. A-tier writing. 


4. Tanith Lee
Sarcophagus, Sand

One is an experimental, avant-garde masterpiece. The other is Servalan's finest hour. Both are tremendous. You mean to tell me Tanith Lee strolled in, wrote two amazing episodes, refused to elaborate and left? It is a crime that she didn't get to write Doctor Who after this, because her two Blake's 7 episodes made her more than qualified to handle it. 


3. Robert Holmes
Killer, Gambit, Traitor, Orbit

BOB! THE MAN, THE MYTH, THE LEGEND! Bob Holmes' quarilogy is mostly great (Killer is still weird to me) and all four have that brilliant but strange pairing of Avon and Vila that nobody else ever used. Gambit is so fun, Traitor is one I revisit because I just enjoyed its vibe, while Orbit is his magnum opus. He is on fire with this show and any time I saw his name in the writer's credit I cheered. One of the greats, for sure.


2. Terry Nation
The Way Back, Space Fall, Cygnus Alpha, Time Squad, The Web, Seek-Locate-Destroy, Mission To Destiny, Duel, Project Avalon, Breakdown, Bounty, Deliverance, OracRedemption, Pressure Point, Countdown, Aftermath, Powerplay, Terminal

The creator of the show himself. It would be sacrilege to put him any lower than number 2. Terry's stories vary wildly in subject matter and tone, but tend to be some of the ones I enjoyed the most (save for the occasional clunker like The Web and Mission To Destiny). Terry's stories tend to be fun times and have some of the more interesting incidentals like Del Grant or Arco Trent, and I just like the vibes of the locations and situations he puts into his scripts. 


1. Chris Boucher
Shadow, Weapon, Trial, Star One, City At The Edge Of The World, Rumours Of Death, Death-Watch, Rescue, Blake

Chris Boucher's contributions to the show, other than his script editing duties, cannot be ignored. He's written some of the most inventive scripts for the series and manages every time to create a unique concept that the episode can revolve around: Shadow has the titular drug, Death-Watch has the idea of beaming someone's mental processes directly into your brain, Blake toys with the idea of our previous lead character betraying everyone for money, City At The Edge Of The World makes Vila the lead character etc. Even in his less highly-regarded episodes, there's always something interesting at their core, which is very telling of his quality as a writer. 

Saturday, December 31, 2022

Manhunt (2023)

This story is set after Blake



Sirens blared. Smoke from blasters hung in the air like a thin fog. No way out. In a situation where a lesser man might surrender, Avon stood his ground. 

Around him were several Federation troops, their guns aimed at him. On the floor lay his friends, and at his feet was the corpse of the closest friend he ever had, Roj Blake. Avon gazed at Blake’s corpse mournfully for a moment, then looked up and stared death in the face. 

Raising his gun, he smiled. 

The firefight was short. The troops were good, but he was the better gunman. No matter how quick or close their shots would get, Avon would always manoeuvre out of the way and send the attacker to their maker. All of them dropped soundlessly to the floor as Avon mowed them down. 

After a few minutes, Avon was the last man standing. He surveyed the mess with indifference before kneeling down to pay his respects to Blake. Arlen got up, retrieved her gun and blasted him while he was down. Avon tumbled backwards and lay motionless on the floor. Arlen exited the room, satisfied.

*

Servalan sat in her office, sipping a particularly bitter cocktail. As usual, she dressed in an overly-flamboyant outfit at odds with the uniforms of her colleagues. For someone attempting to lay low, pretending to be a mere Commissioner, she wasn’t doing a particularly good job at being discreet. 

Arlen’s face appeared on the screen in front of her. “Mission accomplished, Commissioner,” she said. “Blake and his cohort have been destroyed.”

“Excellent,” Servalan replied. “I was informed Scorpio was seen in the vicinity?”

“Avon and his crew have been dealt with,” Arlen responded. “Their bodies cover the floor of the Control Room, as well as a few of our own who fell victim to Avon’s blasts.” 

Servalan sat back in her chair and took another sip. “Gather the bodies. A transport will be sent in twelve hours to dispose of them, but ensure everyone is accounted for. I want to make an example of Avon’s failure to dissuade future rebels - we don’t want another Blake on our hands. And whatever you do, find Orac!” 

Arlen nodded. The screen went blank. 

The former Supreme Commander of the Terran Federation mulled over the events of the past few years and was almost downhearted that it had all ended quite abruptly. But then the idea of milking the rebels’ misfortunes came to mind, and any remorse Servalan might have felt for her former enemies’ imminent deaths quickly faded, replaced with her trademark crocodile smile.

For a brief moment, she pictured Avon in chains, standing in front of her desk with a demanding expression.

“Godspeed, Avon. It hasn’t been pleasant,” she could hear herself saying. “I imagine the crew were struck with the sedative projectiles I had manufactured by the Federation stronghold on Dolos Minor - a planet that will become wholly occupied by Federation forces in the near future. As you for you... well... you don't have a future.” 

The mental image faded.

“Dolos Minor will be ours... assuming the cretins arranging the invasion force don't let me down,” she muttered to herself and drank the rest of the cocktail. 

*

The stillness of the Control Room didn’t last long. 

Vila Restal sat up and rubbed his eyes before taking in his surroundings. All his friends were on the floor. Blake was dead. The realisation that he was the sole survivor hit him like a stone and he immediately began panicking. What would he do? Where would he go? What was Avon thinking, bringing them all here to die? 

“Focus, Vila. Focus,” he said to himself. “What would Blake do?”

He looked at Blake’s corpse as though expecting the dead man to answer him. After a moment, Vila’s nerves finally got to him and in desperation, he grabbed Tarrant’s gun. 

“Sorry,” he muttered and rushed toward the nearest exit without looking back.

Down corridors, through the silo and out into the forest he ran without stopping. Night had fallen, and a cold breeze weaved in and out of the trees as Vila raced through the vegetation to find somewhere adequate and stealthy enough to hide. 

Panting heavily, he leapt into the undergrowth and lay flat on his back. A million thoughts ran through his head at once. The comforting fact that he was, in fact, alive, did nothing to quell his insecurities - sure, he was alive, but the friends he’d made along the way weren’t. He had no protection, no means of escape and no way of survival. He was a goner.

As he was contemplating his sorry state of affairs, he could make out a familiar whirring sound somewhere in the distance. Slowly but surely, he followed the noise and eventually came to a shoddily dug hole, covered over with leaves. Vila peeled the leaves off and couldn’t believe his luck. He reached into the crevice and pulled out Orac; the computer was lightly covered in muck and very cross. 

“Aren’t you a sight for sore eyes?” Vila exclaimed, happy the computer hadn’t been destroyed.

“Your eyes are not defective,” the computer replied. “Where are the others? I demand to speak to Avon at once! I am not designed to be crudely stowed away in alien soil!”

Vila didn’t reply. He grabbed Orac and ran further into the woods.

It wasn’t long before Vila’s absence from the carnage in the Control Room was discovered. A small squadron of troops exited the base and congregated outside. Arlen divided them all into four groups of four, tightly clutching Avon’s rifle in her right hand. 

“He can’t have gone far,” she barked. “First group, head east. Second group, west. Third group, south. I’ll go with the fourth group and head north. Search everywhere. Meet back here in five hours. Got that?”

The troops indicated ‘yes’, switched on their torches and spread out as directed to search for Vila.

Vila had hidden himself and Orac inside the hollowed-out trunk of a large tree on the edge of a clearing. In the time that had passed since escaping the base complex, he’d fallen asleep. 

“Vila? Vila!” Orac hissed. 

Vila opened a sleepy eye. “Can’t a man have a quick nap?” he yawned. 

“You may return to your slumber at a more appropriate time,” Orac retorted. “Auditory sensors indicate that we are not alone in this forest!”

Vila sat up quickly. “Who? Where?” he demanded.

“By the sound of their footsteps, several Federation troopers. They are converging on this area.”

Vila instinctively yanked Orac’s key out of its socket. Carrying the computer under one arm, he gingerly climbed up the tree and peered through the leaves. Sure enough, there were the third group of Federation troopers rounding the corner. 

Vila held his breath as the troops started searching. He twirled Orac’s key in his hand to try and calm his nerves. The troops’ torch beams swept past his hiding spot and Vila tensed up, praying they wouldn’t see him. 

The troops seemed satisfied that they couldn’t find him and began to move off. Vila breathed a sigh of relief and relaxed - but as he did so, he accidentally let go of Orac’s key. He only realised his mistake when he heard it hit the ground. The troops heard it too and immediately swung back around. 

Vila cursed himself extensively as the somewhat confused troops examined the key. Deciding there was nothing else for it, he raised Tarrant’s gun and fired. The lead trooper keeled over. 

The others spotted Vila. Two of them raced forward and began climbing the tree - Vila fired on the second and fumbled with the gun to try and quickly reload it when the third reached up and throttled him! 

Vila struggled to shake his attacker off, but he was fighting a losing battle. As the asphyxiation began to take hold, he shut his eyes and prepared for the end…

A shot rang out, and the attacker’s grip loosened. Vila opened his eyes to see the third trooper fall off the tree branch and hit the ground below. Confused, Vila looked through the leaves again, only to see the fourth trooper gesturing for him to come down in what looked like a friendly gesture. 

Cautiously, Vila descended, taking Orac with him. The trooper placed their gun on the ground and raised their hands in surrender. Vila was even more perplexed. 

“Vila Restal?” the trooper asked. Vila nodded in reply, surprised the trooper’s voice was female. He’d been informed the taskforce was all male. “Perhaps they’re branching out,” he thought. 

The trooper removed her helmet. She was shorter and younger than Vila, with short, Fuchsia hair and freckles. Her crimson-coloured face was fixed in a permanent frown, reminding Vila of Avon’s trademark scowl.

“Sara Cortess, member of the resistance force from Dolos Minor.” She stuck out her hand. Vila shook it. 

“Thanks for the save,” he said, somewhat sheepishly. “How did you know who I was?”

“Process of elimination,” Sara mused. “Avon and Blake were too recognisable - their faces are on every wanted poster and public hologram in Federated Space. You couldn’t have been Tarrant, as he’s one of the bodies.” 

She prised Orac’s key from the dead trooper’s hands and gave it to Vila, who put it in his pocket. 

“We don’t have much time,” Sara continued. “There’s more where they came from.”

Vila grabbed Orac and the two of them ran as fast as their legs would carry them.

*

Arlen’s communicator beeped. “Yes?” she asked, irritably. 

“We ventured into Southern territory on our way back to base,” came the voice of a trooper. “The third squadron has been destroyed, and one of them has gone missing.” 

Arlen’s face hardened. “Where?”

“By the base of a large tree on the edge of sector four,” the drone replied. “There is a technicality you should know, however.”

“What is it?” Arlen demanded. 

“The troops’ corpses appear to have been fired upon by a Federation-issued firearm.”

Arlen’s blood ran cold. “A renegade…” she whispered. 

She adjusted her communicator to an all-range frequency. “All personnel to sector seven! I repeat, all personnel to sector seven! I want everyone accounted for - there is a traitor in our midst, and I want them weeded out!”

“And now we wait,” she thought, reloading Avon’s rifle. 

She angrily glared into the endless rows of trees, cursing Vila’s survival.

*

In a storeroom, the bodies had been laid out in a corner, ready for the transport to take them to a Federation holding vicinity as per Servalan’s orders. A trooper had been placed on guard and was idly humming a tune as he waited for the transport to arrive. 

The sound of a sudden movement caught the trooper off-guard. He fell silent and drew his weapon, looking around to see where the noise came from. Nothing seemed to have changed. 

The trooper, spooked, clutched his gun tightly and began to hum again to settle his nerves.

The noise happened again. The trooper spun around a second time.

Still nothing. 

He was about to write this off as his mind playing tricks on him when he realised something wasn’t quite right. Deciding to indulge his sixth sense, he became determined to figure out what it was. He checked every nook and cranny of the room. He opened the door and looked outside. He turned to the bodies - 

One of them had gone!

Alarmed, he fumbled in his pockets to try and find his communicator. Wham! He stiffened and fell.

Del Tarrant emerged from the shadows, a wry smile spreading across his face. 

“Sorry about that.” 

He took the trooper’s gun, mock-saluted, exited the room and dashed outside. 

Manoeuvring through unknown terrain is one thing, but doing so while trying to avoid being spotted is a different matter.

Tarrant narrowly avoided the troops that were converging on Arlen’s location and hid behind a fallen tree stump with bated breath to see what their next move would be, judging his moment. 

He stayed as still as a corpse as he watched Arlen go through the troops one by one, determining who the interloper was. 

A cold sweat overcame him as he watched Arlen bark at the troopers to follow her. 

He waited until the troops had cleared before following them at a distance. 

“So, Vila’s alive,” he thought as he tore through the shrubbery. “If I stand any chance at survival, it’s with him. But where could he have got to? And who’s helping him?”

*

Vila, Sara and Orac were hiding in the upper branches of a tall oak. From here, they had a good view of the forest floor and could see if anyone was coming or going. 

“So,” Vila began, “what exactly are you doing here?”

“The resistance needed Blake’s help. The Federation is in the process of taking over Dolos Minor, despite the majority of people being against their control,” Sara said. “We discovered that Blake was on Gauda Prime and they sent me to get him on side. I arrived just before the firefight. He was our only chance. And now he’s dead. Maybe we should just throw in the towel.” 

She broke off. A tear rolled down her cheek. 

“As long as I’m alive, I’ll fight for what Blake stood for. Your resistance still has hope. Don’t give up!” Vila declared. 

Sara turned to look at him, not entirely convinced by what he was saying. Vila returned the look with a hardened expression. There was a short silence.

“What’s the plan?” Vila asked. 

“A Federation transport is arriving in approximately seven hours to collect the bodies of Blake and your friends,” Sara said. “If we’ve any chance of getting out of here, we’ll need to nab it.” 

Vila didn’t seem particularly fazed by this information. “Bit of a downgrade from Scorpio but it’ll do until we can get something better,” he remarked. “Are there any more of your group on Gauda Prime?”

“No, just me,” Sara replied. “I was the only one who the uniform fitted.”

In spite of himself, Vila laughed. 

The communicator on his teleport bracelet crackled and hissed as a transmission attempted to break through. It took Vila a moment for him to register what was happening and hurriedly held it to his lips. 

“Hello?” he asked. 

Static. 

Vila rolled his eyes. “Orac, increase the range of this stupid thing.” 

“Only under protest. This is a grave misuse of my capabilities!” Orac replied. 

The static quickly cleared and revealed the hushed tones of someone that Vila knew well. “Vila? Do you read me?!”

Vila beamed from ear to ear. “Tarrant! I’ve never been so happy to hear your voice!”

“I don’t recall you ever being happy to hear my voice,” Tarrant replied. “Where are you exactly?”

Vila did a quick mental estimation. “In a tree, about 1000 yards from the complex.”

“That’s not exactly helpful,” Tarrant retorted. “Are there any landmarks?”

Vila bit his lip and looked through the branches to try and find some sort of indicator. Sara tugged his sleeve and gestured toward a large wooden statue nearby; the sculpture resembled that of a large man, carrying an axe. “There’s an effigy of an old Earth woodcutter,” Vila reported. “We’re in the big oak on the left of it.” 

We?” Tarrant asked.

“No time to explain, just get over here,” Vila rasped. The communicator went dead. 

“So, Tarrant did survive,” Sara mused. “Is he a good pilot?”

“He has his moments,” Vila replied.

“Well, we’ll make use of his piloting skills when we steal the Federation transport,” Sara said. “If he’s worth his salt, we’ll be out of here by sunrise.” 

Vila didn’t look so sure. 

*

The troopers waded through grass and smog, slowly converging on Vila’s location. Tarrant kept a short distance behind, keeping in shadow so as not to be spotted. 

Arlen, leading the pack, clutched Avon’s rifle tightly. Bringing Blake in had been her main task, so capturing Avon and the Scorpio crew was a bonus that undoubtedly would have meant instant promotion. She desperately wanted the rank of Space Commander and the only thing that stood in her way was Vila and Sara. She cursed both of them under her breath as she shone the beam of her torch into the trees, hoping to catch sight of either of them. 

A rustling in the bushes caught her attention, and she signalled for the troops to stop. She waited to hear it again, hoping she wasn’t going mad. The wind whistled through the trees. The troopers breathed heavily. Arlen could hear her pulse thundering through her head. 

The rustling happened a second time. She swung her torch beam in the direction of the sound, a large bush, and gestured for the troops to wait. She headed towards it and peeked inside. Tarrant leant forward, grabbed her, and pulled her through it. He held her in a headlock, covering her mouth with his hand as she struggled to free herself. As she did so, she dropped Avon’s rifle. 

Tarrant let go of Arlen and lunged towards it. Arlen fell flat on her back. She squirmed on the ground, trying to grab the coveted weapon, but Tarrant was quicker on the mark. He struck Arlen with the butt of the gun and bolted as she cried out in pain, firing on several of the troops as he went. Half the troops chased after him, with the other half heading round the other side of the bush to check Arlen’s condition, despite protestations that she was fine. 

Tarrant sprinted swiftly toward Vila’s hiding spot, taking out five of his six pursuers. The sixth caught up and began to strangle him. Tarrant was struggling to prise his attacker off him when a shot from above rang out and his assailant dropped to the floor like a stone. Tarrant rubbed his neck as Sara leapt from her branch and landed beside him. Vila climbed down, bringing Orac with him. 

“Thank me later,” Sara said to Tarrant. “Sara Cortess. Resistance member.”

“Del Tarrant. Glad to be alive,” Tarrant said, and smiled. 

If he was intending to leave a positive impression on Sara, it didn’t seem to work; she looked as stoic as ever. Somewhat uncomfortable that his charms had failed, Tarrant redirected his attention to Vila. 

“Good to see you’re still alive,” he remarked. “Their shot got me in the leg. What about you?”

“Lower back, though I overdid it to look like it was a much worse shot,” Vila answered. “I always knew those acting classes would pay off. Never like to see a man die, especially when it’s me! Are the others dead?” 

Tarrant shrugged. “Blake certainly is. I didn’t get time to check the others, but they certainly seemed to be. I know the smell of death anywhere, though that might also have been Blake. Couldn't find Avon.”

There was a brief silence. The wind howled through the trees. Bat-like creatures flew overhead and came to rest on the statue of the woodcutter. 

“We’ll have to be quick, there are at least six other troopers out there ready to kill us on sight,” Tarrant reported. “Arlen’s leading them.” 

“That’s all we need,” Vila groaned, rolling his eyes. “Alright, here’s the plan. We’ll make our way back to the silo, kill the guard on watch and nab the transport. Noting Arlen and her whole host of hostile accomplices, we’ll probably have to take them out as well if we can’t avoid them.”

“Hold on a minute,” Tarrant complained. “Who made you the leader?”

Vila’s face hardened. “I am the last member of Blake’s original cause, and that makes me more qualified to lead by default. If you have a problem with that, suck it up and accept the facts of life.”

“Which are?” Tarrant asked, confrontationally.

“That I can sell you to the Federation at any point. I didn’t ask for you to join the party, Tarrant - you did so of your own accord. You depend on me and Sara to get you a ride off this planet, so I would suggest that you keep tight-lipped and do as I say if you want to stay alive.” Vila declared, staring Tarrant down with a dead-eyed expression Avon would’ve been proud of.

Tarrant hadn’t expected such a reaction from Vila and was about to object to these terms when Vila drew his gun and aimed it squarely at Tarrant’s chest. He threw his hands up in defeat. “Alright, have it your way,” he muttered, backing off slightly. Vila gestured to Orac and Tarrant picked up the computer, all the while keeping his eyes on the gun.

“Thank you. Sara, lead the way. Tarrant and I will follow.” Vila ordered.

Sara saluted and started to head back as instructed. Tarrant followed, with Vila taking up the rear, the gun still pointed at Tarrant. 

*

Arlen and her six troops rounded a corner and came face-to-face with Vila, Tarrant and Sara. The two factions stared each other down for a moment, waiting to see what the other group would try. 

Tarrant put Orac behind him and aimed Avon’s rifle at Arlen with the other. Sara aimed her Federation pistol at Arlen. Vila slowly raised his own gun.

“Well, well, well,” Arlen said. “It’s all come to this.”

Tarrant and Sara looked at him expectantly, as did Arlen. Vila didn’t reply. He looked at Tarrant, then at Sara, and finally back at Arlen, and nodded. 

Sara and Tarrant opened fire on the troopers. Vila aimed at Arlen’s leg and fired twice. Arlen cried out, clutched it and fell. Sara and Tarrant continued firing on the other troops as Vila approached. 

“I do hate when someone has to be violent to get information out of people, especially when it’s me,” he said. “Tell your troops to stand down.”

“Never!” Arlen cried. Vila rested the barrel of his gun against Arlen’s head. She hesitated.

“Do it.” Vila hissed.

“Tell them the order can’t be countermanded!” Sara added. 

Arlen reluctantly complied “All troops, stand down. This order cannot be countermanded. Return to your quarters.” Arlen put away her communicator. “Happy?”

“Ecstatic,” said Vila, and shot her. 

He stood up and moved off, Sara and Tarrant following. 

“We can’t just leave her body there!” Tarrant exclaimed. 

“That is exactly what we’re doing,” Vila replied. 

“If Servalan wants to poke her nose into Arlen’s doings, she’ll have a nasty surprise waiting for her,” Sara laughed. 

“Precisely,” Vila affirmed. 

The morning sun was beginning to rise when the Federation transport arrived. The trio stood by the door to the silo as the large, sleek, silver vessel descended from the sky. They waited with their guns drawn, expecting a platoon of troopers to emerge from the ship and for a fight to break out. The hatch opened, but nobody exited the craft. 

The three rebels looked confused. “Where are the troops?” Sara asked.

Orac spoke up. “FD-81 capsules such as the one you are all gawping at are auto-piloted by an onboard computer not too dissimilar to Zen or Slave. The Federation quite rightly recognise that a simple carrier ship powered by a basic flight computer does not always require passengers, so sends these craft unmanned most of the time to pick up cargo from designated areas.”

“Is the flight computer restricted in its trajectory?” Tarrant inquired.

“Yes, unless its path is interrupted by an alternative data stream,” Orac replied. 

Vila grinned. “Could you redirect it?”

“I do not understand why you would have to inquire that!” Orac exclaimed, sounding almost offended. “You have witnessed me performing similar tasks before.”

“Slipped my mind,” Vila said, lifting the computer. “Come on, you two.”

All three ventured inside the craft and made their way to the flight deck. The room was furnished with wood panelling on the walls, leather chairs in front of control panels set in marble blocks and a grey tiled floor. On one wall was a large triangular monitor screen displaying sorting algorithms, which Vila reasoned was the flight computer. “Alright, Orac,” he said. “Grant us access.”

Orac made a flurry of high-pitched beeping noises, sending a stream of data to the flight computer which overrode its Federation programming. The screen went blank for a moment. Tarrant and Sara glanced at each other. 

The computer came back online. “Identification needed,” it said in a monotone voice, a thin waveform moving in time with its speech.

“I’m Vila Restal, these are my companions Del Tarrant, Sara Cortess and this is our resident pain Orac,” Vila declared. “If this junk heap’s done its job correctly, you should now be under our command.”

“Yes, Lord Vila,” the machine responded. Vila was initially taken aback by the title, but this was soon replaced by a wide, smug grin. 

“What is your designation?” Tarrant asked. 

“I am Quail,” the machine said. “Ready to serve you as required.”

“You can start by getting us out of here,” Tarrant barked.

“Understood. Please state location and velocity,” Quail replied.

Vila and Tarrant looked expectantly at Sara. “Dolos Minor,” she said. “Standard by seven.”

“Input has been recorded,” Quail replied. “Journey will commence now. Please be seated.” 

They all sat down and the craft began to ascend. 

“We’ll be on Dolos Minor before you know it,” Vila called to Sara. “Then we'll drive the Feds out, just you wait and see!”

Sara laughed. “Thank God for that!” 

*

A Mutoid surveyed Arlen’s body. “Arlen is dead, sir. Direct hit on the right temple.” 

“I never liked her much anyway,” her superior said, with little interest. “Contact control and get them to send a cleaning unit to GP. I want the whole place quarantined.” 

He turned and looked toward the heavens with his single good eye, almost expecting to see Vila's face sneering down at him. “Run for your life, Vila,” Travis muttered. “The Federation will find you eventually.”

“Commander, what shall we do with Avon's people?” the Mutoid interrupted. 

“Wake them up and put them on my ship,” Travis growled. “Vila will come and get them once he realises the troops only put the others to sleep. He'll try anything to get the gang back together - then we'll have him right where we want him.”



Friday, December 30, 2022

Vindictus (2022) | Review



This is a review of Vindictus, a Blake's 7 continuation novel by Louella Richardson and Neil Shearer. I have attempted to be as fair as possible in regard to noting its strengths and weaknesses. This review will include spoilers, so I urge anyone who hasn't read it to get the book first! 

As they go, Post-Gauda Prime stories tend to vary wildly in concept and execution. Over the decades, there have been many valiant and outlandish attempts: Afterlife captures the feel of the series in its first half before flying wildly off the rails in the middle; the Lucifer trilogy starts off weirdly, has a great second book and a horrendous ending; The Logic Of Empire is a strange take on the concept and not one I gelled with. 

PGPs really depend on the author's interpretation of events and so far, none have really stuck to what Blake's 7 really stood for. This was the catalyst for me to write my own (a short story called Survive) which you'll see early next year; I wouldn't say it's much better, mind, but it's an attempt to be a little bit more consistent with Series D and reflects something the BBC could've made in 1981.

I became aware of Vindictus in around October of 2022 due to the writers' tactic of advertising the book under pretty much any B7-related tweet. I figured it would be interesting to check out - I always intended on ranking the main continuation narratives, and it would fit in quite nicely with the others. 

The best way of describing this book is “familiar”. Everything in it is anchored to previously-established lore. I don't have any issue with that idea in concept but it does swamp the reader with tons of setup and at least four storylines to keep track of until Chapter 18, which is pretty much where the story actually starts.

Similarly to Afterlife, we have two leads from the original show and a few original characters; Vila and Tarrant survive the shootout, with Vila pretending to die and Tarrant getting hit in the leg (which was coincidentally the same reason I used in Survive. Hmmm.). I always felt these two had the best chance of survival, and I was glad that Louella and Neil didn't have Avon survive - his story ends at Gauda Prime, you cannot convince me otherwise. 

Vila and Tarrant are mostly written as per how they were used on TV, although Tarrant appears to have rekindled the dickish side of his personality that was on display in Series C, and Vila is back to being the bag of nerves he was in Series B. I expected them to be more like they were in Series D or the natural evolution from that (Vila becoming hardened and cynical from his experiences in Orbit and Tarrant becoming even more hands-off - spoiler alert, that's how I wrote them), but it appears that the writers wish to base their story on the good old days of A - C rather than embrace the good things D brought to the table. 

Our newbies are Lou Blake (daughter of Blake's cousin Inga from Hostage), Zac Ensor (grandson of Ensor from Orac), an advanced mutoid with a personality called Semele and a Zadithan religious type named Callan. Again, continuing Louella and Neil's apparent love for the first three series, it's obvious that Lou, Zac and Semele are based on Blake, Avon and an amalgamation of Jenna and Cally respectively. Not that this a bad thing necessarily, it's a nice acknowledgement of the past and proof that history repeats itself. 

I really quite liked their dynamic, and it was fun to see Lou slowly become more like Blake as the book goes on. Semele's attempts at flirting with Ensor were pretty funny. I believe this is an acknowledgement of the Avon/Cally ship that I and many other fans are in support of, though I'm not 100% sure of that; if either of the writers are reading this, could you please confirm or deny this? Thanks. 

One thing I didn't like about Afterlife was how Tony Attwood brought Tarrant back, wrote him very well, then killed him off in an extremely unsatisfying way. The character still had plenty of potential, but Tony just had him die unceremoniously. I'm sorry to say that Louella and Neil have done this as well - Tarrant dies when Semele drinks his blood (context: they're on a Cygnus Alpha-like religious colony, and one of the leaders destroys Semele's serum vial because he's prejudiced against Mutoids). 

This is a question to all future B7 PGP writers - if you're gonna just kill Tarrant off later in your story, what's the point of including him at all? 

I will point out that they treat Tarrant's death with reverence, which is nice. 

Continuing the theme of familiarity is Vindictus itself. It's another of the System's vessels which resembles the Liberator, complete with teleport braceletes, handguns and its own Zen equivalent named Koios. While it's neat seeing another such vessel, I do think it was a shame that they didn't invent an entirely new ship with similar capabilities; having another Liberator just makes Scorpio irrelevant by comparison.

The humour in this story is on-point - every quip, joke and insult is of the same calibre as those seen on TV, which I love. I think my favourite example comes from Chapter 37, when Ensor says “Pretty isn't he, probably pretty stupid”. Love that line. 

The book reminds me a lot of Series A, which makes sense considering the book's primarily goal appears to be a “passing of the torch/beginning again”-type narrative. The prime example of this is the Zadith plotline which gives me massive Cygnus Alpha vibes: here is a civilisation who are bound by religion, opposed to computers and distrustful of anything that is not flesh and blood. I really quite enjoyed that segment, save for Tarrant's death, and found the whole idea of space Amish quite amusing. It's very Blake's 7

The Federation are still very much in control, complete with a new Servalan and Travis (Commissioner Lamia and Space Commander Ariq), which is a nice change from their understated role in Afterlife and the random insertion of the Empire of Cathay in Darrow's trilogy. The only real bugbear to me is that the Federation present in Vindictus is composed of people we've never met, and I'd have liked to have seen a cameo from Servalan or someone from the TV series just to give us a little familiarity with this new faction - indeed, Darrow did this by putting Servalan in Lucifer as a means of passing the torch from the Federation to the Quartet. 

I honestly can't comment all that much on this original character-based version of the Federation, as they are pretty much the Servalan/Travis II dynamic with little else. The little we do get is valuable and interesting, though. I particularly like the inclusion of the unseen Supreme Imperator - definitely getting Palptaine vibes. Nice one. 

The Kainnessos plot dragged a little for my liking. I like a political dystopia as much as the next man, but I felt it did go on a little too long - still ultimately liked it though. Pylene 74 was an interesting plot detail; the idea of controlling people via a drug gave me Nightmare Of Eden vibes, though it also reminded me of the pills the criminals got on Cygnus Alpha. Another direct (or indirect?) tie to Series A. Starting to think this is the authors' favourite season. 

The whole capture and escape from prison bit with Callan and Semele was great fun, and I really liked Tavia's contribution to the plot. She had some really humorous dialogue and her personality was a nice contrast to the others. From the way she was written, I assumed she had an American dialect (given her use of phrases like “sweet cheeks” and “bud”) but I'm not entirely sure. Some clarification would be nice.

Vila's departure was sad but understandable. Given the story is set some 30-odd years after Blake, it only makes sense for Vila's age to catch up with him and abandon heroics in lieu of a retirement plan. This isn't like Lucifer where our aging protagonist has the athleticism of Indiana Jones and the continual urge to fight - Vila knows his time's up and is willing to accept it. Very in-character decision.

The main issue I have with the book is its layout. There are times where you have to wade through quite a lot of exposition to understand what's going on before anything actually happens in certain chapters, an issue that particularly plagues the first half of the story. Thankfully it doesn't hinder the content any, but it is a gripe I had to get used to. A more minor complaint is that the dialogue fluctuates in quality from sounding screen-accurate and in tone with B7 as a whole to sometimes very out of character, even with the original characters, which was a little jarring. 

If this review comes across quite negatively, I want to make it extremely clear that that was not my intention whatsoever. For the record, I really enjoyed what it brought to the table and it is a stellar example of how to do a “passing of the torch” narrative. Additionally, it feels like Blake's 7. As I said at the top of this review, the “big three” PGPs - Logic Of Empire, Lucifer and Afterlife - don't stay true to the feel and tone of Blake's 7 at all, massively missing the mark when it comes to making a story that's meant to follow on from the source material. Vindictus not only nails what makes Blake's 7 work conceptually, but the tone, plot progression and characterisation feel like an entirely natural continuation of the series and sits well alongside Series A, B, C and D. If the writers are going to make a sequel of some description, I'll definitely check it out, because this has tons of potential and that cliffhanger ending was so good!

Rating: B

Afterlife (1984) | Review

This is a brief review of Afterlife , a Blake's 7 continuation novel by Tony Attwood. This review will include spoilers. Afterlife  is ...